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Grain Valley, MO

Whiskey Tango

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Fort Knox Army Base

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Music

Call Me Crazy

Lee Ann Womack : Call Me Crazy

release date: 10/21/2008

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ReleaseLabel: MCA
UPC: 602498889596 
Format: Album
Selection: B000602502
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Lee Ann Womack

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1.Last Call (1585, 13260)
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Title: Last Call
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2.Either Way (1585, 13254)
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3.Solitary Thinkin' (1585, 13262)
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Title: Solitary Thinkin'
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TrackNumber: 3
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TrackNumber: 3
Title: Solitary Thinkin'
4.New Again (1585, 13261)
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TrackNumber: 4
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TrackNumber: 4
Title: New Again
5.I Found It In You (1585, 13257)
6.Have You Seen That Girl (1585, 13256)
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Title: Have You Seen That Girl
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TrackNumber: 6
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TrackNumber: 6
Title: Have You Seen That Girl
7.The Bees (1585, 13263)
8.I Think I Know (1585, 13258)
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Title: I Think I Know
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TrackNumber: 8
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TrackNumber: 8
Title: I Think I Know
9.If These Walls Could Talk (1585, 13259)
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TrackNumber: 9
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Title: If These Walls Could Talk
10.Everything But Quits (1585, 13255)
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TrackNumber: 10
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TrackNumber: 10
Title: Everything But Quits
11.The King Of Broken Hearts (1585, 13264)
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Title: The King Of Broken Hearts
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Title: The King Of Broken Hearts
12.The Story Of My Life (1585, 13265)

Copy: Lee Ann Womack Nominated for 2009 Grammy Award for "Last Call"

Lee Ann Womack received a Grammy Nomination for Best Female Country Vocal Performance for her single "Last Call" from the album Call Me Crazy




Have a friend or loved one who would love this album?
Gift this album at iTunes NOW!
 



Get Lee Ann's new album
Call Me Crazy
at iTunes and Amazon
Now!


Call Me Crazy
Is available everywhere NOW! Featuring 12 new songs including
"Last Call"


Lee Ann Womack
Call Me Crazy
CUT BY CUT


“LAST CALL”

(Erin Enderline/Shane McAnally)
I love Erin Enderline. She’s a great writer and singer and I’m always excited to hear her stuff when a CD comes across my desk. Brian Wright (V.P., A&R) chose this one for me. He brought it to a meeting Tony (Brown, Producer) had scheduled for the three of us to listen to songs. Initially we put it in the ‘keep’ pile. Usually, when you’re in the studio, you end up getting down to the last song of the day and it might still be a toss up between two or three. That’s where we were with ‘Last Call.’ Stephanie (Wright, A&R) happened to be in the lounge at the studio when we had time for one more song. So I walked in there and said, ‘How serious is Brian about this song?’ She said, ‘Very’ so we cut it. Things I love about this song: Johnny Walker Red, listening to a country song, imagery of a smoky bar, the fact that there’s nothing cute or funny about it. Everything I miss hearing on country radio.

“EITHER WAY”
(Chris Stapleton/Kendall Marvel/Tim James)
Some songs tease you, making you wonder, ‘Is it really over? Will she take him back?’ This song says, unequivocally, it is over.

“SOLITARY THINKIN’”
(Waylon Payne)
Waylon Payne is a true songwriter. He follows no formula. I don’t think he’s even aware of anything like that. I’ve never heard one song he’s written that sounded like he sat down for a 10 AM writing session with a room full of co-writers, a cup of coffee and clever idea. There have been many times over the last 10 or so years when I longed to be able to sit in a bar alone, unnoticed, and listen to the jukebox and do some solitary thinking and lonesome drinking. Even when I can’t, this song takes me there.

“NEW AGAIN”
(Lee Ann Womack/Dale Dodson/Casey Beathard)
I’m fascinated by people who can fix things. I’d rather see an old house fixed up than torn down and I think it’s so cool that some people have the kind of spirit to make something old new again. It takes a special person. That’s what this song is about on many different levels.

“I FOUND IT IN YOU”
(Brian Nash/Michael T. Post/Whitney Duncan)
This song made me think of Frank (Liddell, husband) when I heard the lyric. So many things that I see people looking for I’ve found in him so I was a sucker for this one.

“HAVE YOU SEEN THAT GIRL”
(Lee Ann Womack/Dale Dodson/Dean Dillon)
Self-explanatory.

“THE BEES”
(Natalie Hemby/Daniel Tashian)
I heard this song once and couldn’t get it out of my head. Natalie’s an up-and-coming songwriter who I’m a big fan of and I want her music to be heard. ‘The Bees’ is a great song that’s not a conventional ‘hit,’ which is why I think if it were a hit, it would be huge.

“I THINK I KNOW”
(Tom Shapiro/Mark Nesler/Tony Martin)
I hesitated to cut this song because I’m the first one to bitch about people casually throwing the name Johnny Cash around. But the line ‘Even with success, there’s a sad loneliness’ just kept haunting me. Some of the loneliest moments of my life were when I was supposedly the most successful. Besides, Tony (Brown) said he thought I’d earned the right.

“IF THESE WALLS COULD TALK”
(Lee Ann Womack/Dale Dodson)
At home one day I read this over-used cliché and immediately my sarcastic and jaded mind thought, ‘Now if these walls could talk they’d pray.’

“EVERYTHING BUT QUITS” (DUET WITH GEORGE STRAIT)
(Lee Ann Womack/Dale Dodson/Dean Dillon)
Dale had brought this idea up to me several times and I always wanted to write it. I’m glad we wrote it as a duet. I’m proud of both of the songs I’ve gotten to record with George (the previous being “Good News, Bad News”). His voice is so smooth, rich and easy going; it’s a lot of fun to write something you think he’d sing. Of course nobody knows that better than Dean Dillon. I had a blast doing the demo with Dean too.

“THE KING OF BROKEN HEARTS”
(Jim Lauderdale)
I’ve loved this song since I first heard it on George’s (Strait) Pure Country record. In Texas it’s sort of an anthem and people there are always surprised to hear that it wasn’t even a single. I did NOT want to cut it though because it’s kind of one of those untouchables, but Tony (Brown) really wanted to cut it again and I knew I’d have a great time doing it, so long as I didn’t get lynched for it.

“THE STORY OF MY LIFE”
(Hillary Lindsey/Brett James/Angelo)
This song was played for me when we were getting ready to make the follow up to "I Hope You Dance." I didn’t want to be accused of trying to repeat that, so as much as I loved the song, I let it go. I’ve kept the demo around all this time, hoping I’d get another chance to cut it after enough time had passed. I’m glad I waited…lyrically it actually means more to me now than it did then.


ProductID: 1585
ReleaseLabelID: 1
PermalinkUrl: /music/product.aspx?pid=1585
Series:
PrimaryArtist: Lee Ann Womack
ProductCopy: Lee Ann Womack Nominated for 2009 Grammy Award for "Last Call"

Lee Ann Womack received a Grammy Nomination for Best Female Country Vocal Performance for her single "Last Call" from the album Call Me Crazy




Have a friend or loved one who would love this album?
Gift this album at iTunes NOW!
 



Get Lee Ann's new album
Call Me Crazy
at iTunes and Amazon
Now!


Call Me Crazy
Is available everywhere NOW! Featuring 12 new songs including
"Last Call"


Lee Ann Womack
Call Me Crazy
CUT BY CUT


“LAST CALL”

(Erin Enderline/Shane McAnally)
I love Erin Enderline. She’s a great writer and singer and I’m always excited to hear her stuff when a CD comes across my desk. Brian Wright (V.P., A&R) chose this one for me. He brought it to a meeting Tony (Brown, Producer) had scheduled for the three of us to listen to songs. Initially we put it in the ‘keep’ pile. Usually, when you’re in the studio, you end up getting down to the last song of the day and it might still be a toss up between two or three. That’s where we were with ‘Last Call.’ Stephanie (Wright, A&R) happened to be in the lounge at the studio when we had time for one more song. So I walked in there and said, ‘How serious is Brian about this song?’ She said, ‘Very’ so we cut it. Things I love about this song: Johnny Walker Red, listening to a country song, imagery of a smoky bar, the fact that there’s nothing cute or funny about it. Everything I miss hearing on country radio.

“EITHER WAY”
(Chris Stapleton/Kendall Marvel/Tim James)
Some songs tease you, making you wonder, ‘Is it really over? Will she take him back?’ This song says, unequivocally, it is over.

“SOLITARY THINKIN’”
(Waylon Payne)
Waylon Payne is a true songwriter. He follows no formula. I don’t think he’s even aware of anything like that. I’ve never heard one song he’s written that sounded like he sat down for a 10 AM writing session with a room full of co-writers, a cup of coffee and clever idea. There have been many times over the last 10 or so years when I longed to be able to sit in a bar alone, unnoticed, and listen to the jukebox and do some solitary thinking and lonesome drinking. Even when I can’t, this song takes me there.

“NEW AGAIN”
(Lee Ann Womack/Dale Dodson/Casey Beathard)
I’m fascinated by people who can fix things. I’d rather see an old house fixed up than torn down and I think it’s so cool that some people have the kind of spirit to make something old new again. It takes a special person. That’s what this song is about on many different levels.

“I FOUND IT IN YOU”
(Brian Nash/Michael T. Post/Whitney Duncan)
This song made me think of Frank (Liddell, husband) when I heard the lyric. So many things that I see people looking for I’ve found in him so I was a sucker for this one.

“HAVE YOU SEEN THAT GIRL”
(Lee Ann Womack/Dale Dodson/Dean Dillon)
Self-explanatory.

“THE BEES”
(Natalie Hemby/Daniel Tashian)
I heard this song once and couldn’t get it out of my head. Natalie’s an up-and-coming songwriter who I’m a big fan of and I want her music to be heard. ‘The Bees’ is a great song that’s not a conventional ‘hit,’ which is why I think if it were a hit, it would be huge.

“I THINK I KNOW”
(Tom Shapiro/Mark Nesler/Tony Martin)
I hesitated to cut this song because I’m the first one to bitch about people casually throwing the name Johnny Cash around. But the line ‘Even with success, there’s a sad loneliness’ just kept haunting me. Some of the loneliest moments of my life were when I was supposedly the most successful. Besides, Tony (Brown) said he thought I’d earned the right.

“IF THESE WALLS COULD TALK”
(Lee Ann Womack/Dale Dodson)
At home one day I read this over-used cliché and immediately my sarcastic and jaded mind thought, ‘Now if these walls could talk they’d pray.’

“EVERYTHING BUT QUITS” (DUET WITH GEORGE STRAIT)
(Lee Ann Womack/Dale Dodson/Dean Dillon)
Dale had brought this idea up to me several times and I always wanted to write it. I’m glad we wrote it as a duet. I’m proud of both of the songs I’ve gotten to record with George (the previous being “Good News, Bad News”). His voice is so smooth, rich and easy going; it’s a lot of fun to write something you think he’d sing. Of course nobody knows that better than Dean Dillon. I had a blast doing the demo with Dean too.

“THE KING OF BROKEN HEARTS”
(Jim Lauderdale)
I’ve loved this song since I first heard it on George’s (Strait) Pure Country record. In Texas it’s sort of an anthem and people there are always surprised to hear that it wasn’t even a single. I did NOT want to cut it though because it’s kind of one of those untouchables, but Tony (Brown) really wanted to cut it again and I knew I’d have a great time doing it, so long as I didn’t get lynched for it.

“THE STORY OF MY LIFE”
(Hillary Lindsey/Brett James/Angelo)
This song was played for me when we were getting ready to make the follow up to "I Hope You Dance." I didn’t want to be accused of trying to repeat that, so as much as I loved the song, I let it go. I’ve kept the demo around all this time, hoping I’d get another chance to cut it after enough time had passed. I’m glad I waited…lyrically it actually means more to me now than it did then.


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